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If you're an ABBA fan or just a fan of good music in general, this assortment of 35 music videos which spans ABBA's career from 1974's Waterloo to 1982's Under Attack is indeed definitive. Simply put, it's a fantastic collection of music and images that mostly focuses on the 1970's era of ABBA's career, because that's when they reigned supreme in their international pop music kingdom.

ABBA Voyage is a virtual concert residency by the Swedish pop group ABBA. The concerts feature virtual avatars (dubbed 'ABBAtars'), depicting the group as they appeared in 1977. The concerts are held in a purpose-built venue at the Queen Elizabeth Olympic Park in London, officially called the ABBA Arena.

ABBA's 1979 tour of North America and Europe, with emphasis on performances at Wembley Arena, London.

Collection of ABBA videos.

Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.

The Collector is a Canadian supernatural drama television series about a man attempting to help save people who have bargained their souls with the Devil. After over 600 years of "collecting" the souls of people at the end of their 10-year deals, Morgan Pym negotiates with the Devil for the ability to aid the damned in redeeming themselves rather than sending them to Hell. Under the Devil's mocking gaze, Morgan assists his "clients" in undoing the damage their deals have done because of the devil shifting good luck towards the client and away from others.The series is set in Vancouver, British Columbia, Canada, where it was also filmed. CHUM cancelled the program after three seasons.

John zaffis and his team go out to places where people have paranormal activity going on and try their best to figure out what was going on and stop it

One of his avatars is certainly The Collector (1990–92), a little dog-like object on rubber wheels, its body magnetized, that Alÿs led through the streets to pick up metallic bits and pieces as it went. Here we can see a developing predilection for the random, for the leftovers of the city in preference to the all-encompassing modernist rationalism that had informed Alÿs’s earlier training as an architect. Further, in this apparently simple piece, we can see the origins of Alÿs’s future as a creator of rumors, of urban myths.